BIO

ENG

Marco Rosetti is an Award Nominated Composer, Orchestrator and Score Editor based in between Italy and the U.S.

It’s been thanks to the one of a kind Heartbreaker riff by Led Zeppelin and the music in Return of the Jedi final duel between Darth Vader and Luke Skywalker that the spark for music has been lit and still shines bright. Although at first he wanted to become just another guitar hero, soon he began to be drawn to orchestral sounds and scoring which, together with his passion for cinema, inevitably took over.

His academic achievements include a degree Summa Cum Laude on Film Scoring at Conservatory of Music “Venezze” (Rovigo – Italy), a degree at the Los Angeles Music Academy in Pasadena (L.A. – USA) and one at the Conservatory of Music “Buzzolla” (Adria – Italy), where he focused his studies on guitar and music composition.
His highly versatile musical talents have led him to work in several projects, covering different roles, including films, documentaries, commercials, tv series and classical music compositions.

He has worked as a composer and orchestrator in Los Angeles and New York, where his piece Reminiscence from Tosca was played at the world-famous Carnegie Hall theater for the Puccini Intimately review in 2008.

During his professional activity in New York he’s produced sonorizations for STUFF (Stand Up For Fashion), he’s worked with Yomi Abiola (Maybelline New York, The FemLeague) and the Italian Academy Foundation. He has written music for trailers (Doctor Who, Krampus, The turning point, Officer down, Sacrifice), films (Heart beats, At your disposal, Unavailable, You’ve got text, Snot and Splash), documentaries (My soul paws, Engine of creation, The road that enchants) for History Channel, TV commercials (Huawei, Malo Cashmere) and radioplay (BFF). On top of that, he has also been in charge of the sonorizations for CELS Grup, during the Doha Fashion Week in Qatar.

He has won several awards for best soundtrack, including the Indie Gathering Award (2015), the Horror Hotel film scoring competition (in 2015 and 2016) and, with the film You’ve got text, the Hollywood Blood Horror Festival in 2020.


During his working experience in Los Angeles, he orchestrated the musical Eve – The Musical, written and produced by Lauri Matisse. In 2021, he takes part in the DeltaSound at the Regards Croisès cine-concert at the Festival International du film d’Aubagne in France, with the soundtrack of Untravel (by Ana Nedeljkovic). In 2022, he composed and orchestrated the arias of the opera Flat Land (by A. Virarelli and V. Soravia), worked on the tv serie The Good Mothers, produced by Disney+ and, with MiraiMusic (Los Angeles), he worked at the videogame Wolves of Rome.

In addition to all the above, he’s currently teaching composition and orchestration at the “Venezze” Conservatory in Rovigo (Italy) and at the Audio Production Academy in Stockholm (Sweden).

ITA

Marco Rosetti è un compositore, orchestratore e score editor che lavora fra Italia e Stati Uniti.

La scintilla della musica è scoccata in quarta elementare, dopo aver sentito il riff introduttivo di Heartbreaker  dei Led Zeppelin e, la sera stessa, la musica gigantesca del duello finale fra Fener e Luke ne Il Ritorno dello Jedi. La prima intenzione era quella di diventare un guitar hero rockissimo ma presto le sonorità orchestrali, unite alla passione per il cinema, hanno preso il sopravvento.

Ha un master in Film Music Composition, si laurea con lode in Musica Aplicata presso il Conservatorio di Rovigo. Si diploma presso la Los Angeles Music Academy (Pasadena -USA) e presso il Conservatorio “Buzzolla” di Adria (RO), dove studia chitarra e composizione.
La sua grande versatilità musicale gli ha permesso di lavorare in diversi progetti (in ruoli differenti) fra cui film, documentari, spot tv, serie e la pura composizione.

Ha lavorato come compositore e orchestratore a Los Angeles e New York, dove nel 2008 il suo brano Reminiscenza di Tosca viene suonato presso la prestigiosa Carnegie Hall per la rassegna Puccini Intimately. Durante la sua attività professionale a New York ha prodotto sonorizzazioni per STUFF (Stand Up For fashion), working with Yomi Abiola (Maybelline New York, The FemLeague) and the Italian Academy Fundation. Ha scritto musica per trailer (Doctor Who, Krampus, The turning point, Officer Down, Sacrifice), film (Heart Beats, At your disposal, Unavailable, You’ve got text, Snot and Splash), documentari (La strada che incanta, My soul paws, Engine of creation), spot tv (Huawei, Malo Cashmere) e radioplay. Ha sonorizzato per CELS Group la Fashion Week di Doha, in Qatar.

Ha vinto diversi premi per la migliore colonna sonore quali l’Indie Gathering Award (2015), l’Horror Hotel Film Scoring Competition (nel 2015 e 2016) e, con il film You’ve got text, l’Hollywood Bowl Horror Festival nel 2020.
Nella sua esperienza lavorativa a Los Angeles ha orchestrato il musical Eve – The Musical, scritto e prodotto da Lauri Matisse. Nel 2021 partecipa al cine-concerto Regards Croisès al Festival International du film d’Aubagne in Francia con la colonna sonora di Untrvel (di Ana Nedeljkovic). Nel 2022 scrive e orchestra le arie dell’opera Flatlandia (libretto di A. Virarelli e V. Soravia), lavora alla serie prodotta da Disney+ The Good Mothers e, con la MiraiMusic di Los Angeles, al videogioco The Wolves of Rome.

Insegna composizione ed orchestrazione presso il Conservatorio “Venezze” di Rovigo e presso l’Audio Production Academy di Stoccolma.

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